Projects

With its location being in Ubud, Bali, Titik Dua Ubud Hotel has the potential to position itself as a destination hotel. What is more interesting is that this hotel’s location is adjacent to an art gallery, which the architect, andramatin, tries not to interfere. As the main land plot of the hotel is behind the gallery, the architect decided to elevate the entrance and create a 45-metre bridge that sits right above the gallery for the guests to reach the main building.

From the outside, Bioclimatic Community Mosque of Pamulang does not display any common features of a typical Indonesian mosque. Instead of a minaret or a dome, this building is distinguished by the two-coloured stacked porous façade, topped with a massive vessel-shaped roof. This mosque is located within a university complex, serving as a place of worship and a community centre for the campus’ communities and the surrounding neighbourhoods.

With the potential of being a supporting node of a popular destination, SHAU shapes Microlibrary Warak Kayu to reflect the local narrative. As its name suggests, warak is derived from warak ngedong—a local dragon-like mythical creature, which happens to be represented by the diamond-patterned timber façade. Furthermore, the use of stilt structure and mostly timber material embody the character of many traditional houses in Indonesia. This contextualised building brings affinity and appeal to the neighbourhoods and the visitors.

Aaksen Responsible Aarchitecture has recently finished a residential project in Jakarta named Vinyasa House. This dwelling is located at a housing precinct that borders Jakarta with its satellite city, Depok. A typical suburban house in this neighbourhood has rectangular structures and a pitched roof, so among such uniform facades, Vinyasa House stands out with its towering geometric mass.

In Bandung, Indonesia, it is not rare to see a well-preserved building dating back to more than half a century. While a number of prominent heritage buildings are still operating as they were originally, some have seen changes in their functions, and others are left abandoned completely. Hotel Dago, built in 1954, one of the abandoned old buildings, has recently been transformed into a café.

Located in suburban area of South Jakarta, Rumah Sisik Batu—translated as a house with stone scale (or skin)—is a recently finished renovation project by ArMS. Prominent use of basalt as the building envelope is evident even at the house’s parking space and a security post located at the front. Muhammad Sagitha of ArMS pointed out that the inspiration behind the project’s name was from the angled and layered arrangement of basalt pieces that resembles animal scales.

A prototype of micro house developed by Aaksen Responsible Aarchitecture, AAND Sayana is designed to be fully assembled within three weeks.

As one of the prominent brands of local coffee in Indonesia, Titik Temu has opened its most recent branch in Ubud. Being the second branch on the island, the shop is designed with a similar approach yet resulted in a distinctive character compared to the original branch in Seminyak.

For years of history in Indonesia, a weaving technique has been utilised in numerous forms and purposes. Dated back to even before the colonial era, local people in different islands of Nusantara had shared similar weaving products in traditional clothing, ornaments, as well as parts of their vernacular architecture. Gedek, or woven bamboo sheets, for example, was an essential element to many traditional houses—enveloping of the houses’ interior.

While many residential designs are competing on coming up with unique shapes for houses, Adit Haus by Office S A stands out with its simple shape. Located on the outskirts of Bandung, this house has a common appearance—a façade with a combination of rectangular and triangular shapes.